The Crystal Maze

Revision as of 00:50, 7 April 2024

Synopsis

Before the show itself, a few words about the structure of the Maze - a huge, custom-built set which was the largest in Europe. Firstly, it wasn't really a maze at all - a better description might be: a circuit of four inter-connecting play areas or "time zones". The four original zones were:

• Aztec - A sand-covered floor flanked by ziggurats on either side and a totem pole.

• Futuristic - A space station filled with neon lights and electronics.

• Medieval - A castle with wooden timbers and stone carvings.

• Industrial - A wasteland of dirty metal doors, disused oil barrels and security fences.

In later series, Industrial was replaced with Ocean - a sunken ship called the S. S. Atlantis. The maze cost something in the region of £250,000 to build and was approximately the size of two football pitches. For the first series, the set was built in Shepperton Studios - one of only two studios in the country that were large enough to accommodate the Maze. However, by the time planning for the second series began, both of the suitable studios were already booked up. The hunt began for a new location, which turned out to be a disused aircraft hangar in North Weald (north-east London).

Computer graphic of the maze. In later series, Industrial Zone was replaced with Ocean Zone.

The show in brief

Each show, a different team of six contestants (three male and three female) are led around the Maze by their host Richard O'Brien (pictured). In each zone, the team play three or four games (see below) which are housed in one of six chambers. Although the contestants work as a team, each game is played by a nominated, individual player who enters the cell. The remainder of the team must remain outside the cell, although they are usually allowed to help (or hinder) their team-mate by shouting encouragement and suggestions. Completing a game correctly caused a contraption of some variety to release a time crystal.

Each game was given a time limit of between 2 and 3 minutes. Any contestant who failed to get out of the cell within the time limit (regardless of whether they had the time crystal or not) was locked in the cell. They could be released and play a further part in the show, but only if the team sacrificed one of the team's time crystals.

Once all the time zones have been visited, each time crystal is converted into 5 seconds inside the Crystal Dome. where remaining team members aim to grab flying golden tokens (but avoid grabbing silver tokens) and post them through a letterbox. The performance in the Crystal Dome determines if a prize is won or not.

The games

Make a magic square - a puzzle from Medieval zone.

As explained earlier, the purpose of winning each game was to win a time crystal (one of which can be seen in the picture illustrated here). Each series of Crystal Maze used approximately 50 different games. Each game was categorised as either:

• Physical - Emphasis on being agile, strong and flexible.

• Mental - Basically, word-association and mathematical puzzles

• Skill - Testing dexterity and marksmanship.

• Mystery - Anything at all!

Some games were designated as "automatic lock-in" games. If a player attempts an automatic lock-in game and fails to perform some specified part of the task, or performs some forbidden action (e.g. touching the floor with any part of their body) then they are locked in at once regardless of whether they have obtained the crystal or not. The contestant has no choice as to whether they play an automatic lock-in game or not; they will always hope not to have to play one! Once a player has been locked in, the captain must choose whether to buy them out or not. This decision can be made at any time between two games, so long as there is time for some available team member to return to the cell where the lock-in took place, open the door, deposit one of the team's crystals and return to the rest of the team with the rescued team member. If the team captain is locked in, then the vice-captain takes over the captain's responsibilities. If both captain and vice-captain are locked in, a replacement captain would be elected on the spot, but this never happened.

The Crystal Dome

The Dome represents the denouement of the show - the absolute climax where all the time crystals collected are converted into time and, possibly, prizes! All time crystals earned (typically somewhere between four and eight) are worth five seconds worth of collection time each. All the members that are still with the team (remember, some may still be locked in the cells) enter the Dome, a geodesic structure made up from triangular glass panels. There is a thick metal grid mesh placed as a horizontal plane perhaps a metre from the bottom of the Dome, which the contestants stand on, holding onto a handrail lining the inner surface of the Dome. Also on this mesh are lots of gold and silver tokens (625 silver, 500 gold). There are powerful fans underneath the mesh. The host will call for the fans to be started...

Richard O'Brien with the geodesic Crystal Dome in the background.

Suddenly, all the gold and silver tokens will fly into the air and circulate throughout the dome. A few seconds later, the host will blow a whistle and the contestants try and collect flying gold tokens and post them through a "magic letterbox". Contestants should be observant and avoid posting silver tokens through. Once the time allowed has expired, the magic letterbox closes and all token-collecting-type activities must stop.

Prizes (or otherwise)

The number of gold and silver tokens collected is counted. Gold tokens count as 1 point, silver tokens count as MINUS 1 point. If this total is over 100, then the team win the grand prize, usually an activity holiday of some sort for all six team members. If the total is between 50 and 100, the team win the not-so-grand prize (maybe a day trip somewhere), and any scores less than 50 earn nothing, though win or lose, all contestants get a replica crystal to take home (engraved with "I Cracked the Crystal Maze - 199X"). After series 1, the 50-point prizes were eliminated - the team either had to score over 100 or go home with nothing more than a lump of glass.

Inhabitants

Unlike the French Fort Boyard (upon which The Crystal Maze was based), there were comparatively few people living in the Maze. The only real person we got to see regularly, apart from mein host, was a fortune teller, played by Sandra Caron. She appeared as one of the mystery games in the first series, whereby she would ask the contestants up to three puzzles, one correct answer winning the crystal. After this game, Richard O'Brien would often engage with banter with the woman, pretending that the fortune teller was his mother (or Mumsey) and in future series she was billed as this. A running joke told of the relationship between Mumsey and Ralph the Butler, who we never got to see.

In series 3, Mumsey went to Bratislava so Richard was joined by Mumsey's sister, Auntie Sabrina (again played by Sandra Caron). Sabrina was a 1960s anachronism of bad taste, with the earrings to prove it.

The fortune teller.

In series 1, one of the more lavishly-produced games involved a confusing, tortuous passageway of mirrors and secret doors. At the centre of the maze was a sleeping princess, and kissing her woke her up and gave you the crystal. (She was the producer's daughter.)

In series 5, another game contained a knight (given the droll name Lance by the production team) played by Dennis Price. He asked you to put together a stamp which, when impressed into some soft clay, would give "the king's seal". Of course, you had to remember to construct the stamp back-to-front so that it would look correct when it make the impression in the clay. Dennis returned in series 6, as one of the three Aztec priests found inside a maze.

The only other inhabitant, if that's the right word, was the computer in the Futuristic time zone. In series 1, Richard O'Brien would just talk to the computer as if it answered back. In future series, the comedy potential of this was realised and additional voice dubs were added on later to pretend that Richard and the computer were really having a conversation. The voice and personality of the computer changed over the series; early on it was the snide, sarcastic man's voice of the programme's director David G. Croft, while during the Tudor-Pole years the computer was referred to as Barbara and had the calm, cold female voice you only get in sci-fi movies. There was an ongoing joke that Ed seemed to have something of an unrequited love for the computer.

Children's specials

Contestant Emma tries to made a valid sum during a Christmas Special programme.

A fact that wasn't lost on the programme's makers was that a staggering 40% of the audience watching the show were young (16 years old or less). The logic goes that the youngsters watched the show because they loved seeing all the adults make a complete fool of themselves by getting locked into rooms and falling into water tanks.

Five children's programmes were made. The first Children's Special in 1990 was in fact the first programme to be made from the recording for series 2, so it was a chance to see what games were in store for the 1991 series. (It would also feature a pre-fame Michael Underwood, who would present Jungle Run.)

While most of the games played by the children were the same games played by the adults, a few of the cheaper games were constructed especially for the kid's show. In the game pictured above, contestant Emma is trying to make a sum by covering certain parts of an LCD display with hinged, white cards. However, some of the white cards are stuck down, so there is only one possible solution.

Other children-only games in future series involved a colour-association game popping balloons, and guiding a model land-surfer around a maze using a hand-held blowing machine.

Entering the maze

Richard O'Brien sporting this season's must-have fashions.

While the emphasis was really on the games themselves, we also saw the team getting into the Maze at the beginning of the show. The first zone changed each week, and the process of entering the zone depended on which zone was to be entered, such as:

• Aztec - Paddle two four-person canoes down a short "river".

• Industrial - Climb over oil barrels and wire mesh, or open the gates with a key.

• Ocean - Remove a metal grille and make your way down a ship's rigging (sodden, dripping, scramble net).

• Medieval - Raise a portcullis, or climb over it.

• Futuristic - Answer a scientific-themed question posed by the computer.

Moving between zones

As a linking device between the zones, there was a short obstacle course. These didn't affect the scoring of the programme in any way.

• Aztec to Industrial/Ocean - Crawl through a tunnel.

• Industrial/Ocean to Medieval - Climb up a ladder and crawl through a hatch.

• Medieval to Futuristic - Cross a log over a swamp.

• Futuristic to Aztec - Go up in a lift, then climb down the face of a stepped, steep wall.

New series, new presenter

Ed Tudor-Pole, host of series 5 and 6.

Richard O'Brien left the programme at the end of series 4. The exact reason was never really established, although in a later interview Richard gave the following reason:

"The Crystal Maze was a road I walked down, I never imagined I'd go down that particular byway. I liked it but even at the time I thought - I never saw myself doing this kind of work. So I did it for four years and thought I better get out while I am ahead, while I am remembered fondly."

At the start of the 1993 Children's Special we had a short, one-minute introductory film which saw Richard O'Brien and Mumsy leaving the Maze on a Harley Davidson. Richard left a note for the new occupant:

"Ed, I know I'm leaving the Maze in safe hands. Remember to pay the milkman. Love, Rick."

The titles rolled and we were greeted by Edward ("but you can call me Ed") Tudor-Pole, the second Mazemaster. To be fair, Ed didn't do a bad job at all of presenting the Maze, it's just that Richard O'Brien was so good at improvising, hamming it up and going over the top that Ed seemed somewhat stilted in comparison. In addition, a recognisable proportion of people watched The Crystal Maze not for the games but to watch Richard O'Brien.

It don't stop there

Ed presented two series before Channel 4 and Chatsworth TV decided to call it a day. During its heyday, The Crystal Maze was the number one programme on Channel 4, raking in something between 4 million and 6 million viewers. It was a highly-ambitious, high-risk show that paid off handsomely.

The show may be gone but it is far from forgotten (how could it be?). Besides being twice voted the greatest UK game show of all time by readers of this very site, it has also been endlessly repeated on the specialist game show channel Challenge. In addition, the programme on which The Crystal Maze was originally based is still going in its native France and subject to on-off revivals in the UK (see below).

For some years, there were also various Cyberdrome Crystal Maze attractions around the country - the last one, at Narberth in Pembrokeshire, kept going right up to June 2010. If you really want to play the game, and money and distance are no object - or you happen to live in the United Arab Emirates, in which case, hello! - you might like to know that thanks to the enormous popularity of reruns of the show out there, there's now a similar attraction in Dubai. Though with the obvious and crucial difference that, at the time of writing (summer 2010), it's still open.

Stephen Merchant took the reins in 2016.

A real-life reconstruction of The Crystal Maze had always seemed an impossible pipe-dream. Then it happened. A crowdfunding campaign raised £500,000 in June 2015, for an attraction scheduled to open in "autumn 2015". Finding the right place and building the games took a little longer than expected.

The doors opened in March 2016, and every player reckons it's a wonderful experience. The attention to detail is excellent (Aztec has real sand, the walls in Futuristic are padded like a spaceship, you climb a ladder to escape Industrial), and the maze masters all rise to their task.

Channel 4 thought, "Ah! People still love The Crystal Maze. People will watch an edition filmed here for our Stand Up to Cancer appeal. Raise lots of money, and we might see if a new series is possible." To this end, Stephen Merchant steered a team of celebrities - the first ever celebrity team - around The Crystal Maze Live.

Viewer reaction was hugely positive, and huge - it was Channel 4's biggest game show of the year. A new studio was built in Manchester, a full series looked likely, and we figured they'd film it in the north. We were wrong - it ended up filmed at Bottle Yard Studios in Bristol, previously the home of Deal or No Deal's Dream Factory, with Richard Ayoade hosting. In a nod to Fort Boyard (or to longer commercial breaks), teams of five are now the norm.

Are you still watching? Richard Ayoade as the 2017 maze master.

The original zones were brought back, they were still Aztec, Industrial, Medieval (later replaced by Eastern) and Futuristic. The challenges were still mental, physical, skill and mystery. And the viewers were still be shouting at the television. "It's easy! Just put the thingamajig into the wotsit! How can you not see that?!". The revival lasted just three years, with viewer numbers often dipping below one million, not helped by the many schedule changes and episodes being divided up in to random chunks and being labelled as new series, so the same games would often appear. Fans of the original show lamented Richard Ayoade's dry and aloof style and frequent references to editing and cheap set design. The reduction of games per episode didn't help and neither did the slower pace with a focus on the contestants who were friends/family rather than strangers which removed the jeopardy of someone being locked in and potentially left behind.

The revival disappeared from our screens at the end of 2020 presumably viewers got really tired and annoyed of the countless celebrity editions that were commissioned instead of the civilian ones, but the good news is, the live experiences in London and Manchester are still in operation as of 2024 and all the episodes from the revival can been viewed on Pluto TV in the UK.

Catchphrases

Richard O'Brien:

To the Crystal Dome!

Will you start the fans please!

Ed-Tudor Pole:

Let the fans begin/commence! (Series 5)

Let the fans blow!/Let the four winds blow! (Series 6)

(Sign off): Keep rocking!

Richard Ayoade:

(Sign off): And thank you for watching. If indeed, you still are.

Inventor

It's worth a moment to recount how The Crystal Maze was invented because, like many good things, it came about mainly by accident. Independent production company Chatsworth Television were originally going to make a show based on a French programme called Fort Boyard. Like some previous Chatsworth Television shows (Treasure Hunt and Interceptor), it was co-invented by Jacques Antoine.

However, it soon became apparent that the fort (which was having TV equipment and the games installed at the time) was not going to be ready in time for the pilot programme. So, the production team sat down and thought of a different way to make the programme along similar principles but without relying on the fort itself. Instead of winning keys (as is the objective in Boyard), crystals would be won for completing a game correctly. The zones were also introduced to give more variety. Also, the ending was very different - in Boyard, gold coins have to be collected whereas British audiences saw contestants leap about for gold tokens in a windy geodesic dome. Another difference was that the French show is played for charity and is 90 minutes long with no advert breaks! Apart from that, the basic principles were much the same.

It is somewhat ironic that, after The Crystal Maze ended, a British version of the Boyard programme (filmed in a Napoleonic sea fort off the west coast of France) was made by Channel 5 and later Challenge.

Theme music

Like the previous two shows produced by Chatsworth Television, Treasure Hunt and Interceptor, Zack Lawrence was on hand to compose the theme music. It was called "Forcefield".

Trivia

The Crystal Dome is a pentakis dodecahedron [1] and would have 60 faces if fully formed.

The worst ever score is no time crystals at all (the team won more than one game, but had a large number of lock-ins and forfeited one crystal for every person they had to get out). This was achieved by The Hauxwell Family during the revived series on the 15 April 2018. They were still allowed to enter the dome and Richard Ayoade blew two whistles simultaneously. Unsurprisingly they scored no tokens at all. They were also the first recorded team to have the same member, Shelley, get locked in twice; the first broadcast team member was Adil Ray in a celebrity edition. The second worst score is one crystal; this happened twice, once in Series 4 and once in Series 5 of the original series. The best ever score is ten crystals which, to our knowledge, was scored twice - one team got 128, while the other still didn't manage to get over 100! The latter event happened in series 1, so at least they got the minor prizes. In the 1992 christmas special, Richard claimed that the record was eleven crystals won, which could be true since the excess might have been used to buy back lock-ins.

The lowest ever score achieved inside the Crystal Dome was -66. This actually happened twice during the show's run: once under Richard in Series 4, and again under Ed in Series 5.

In Series 6, Ed would sometimes start the fans in the dome by saying "Let the four winds blow!". This is presumably a reference to Let the Four Winds Blow, which was the name of a song and album by Ed's punk rock band, Tenpole Tudor.

Ed appeared in the London version of the Rocky Horror Show at the Piccadilly Theatre in 1990. He played the part of Riffraff, which coincidentally was originally played by Richard O'Brien! It was a few years later that he was signed up to present The Crystal Maze.

The show had the distinction of being mentioned in an episode of the BBC drama series This Life:

Milly: "Why is life so complicated?"

Anna: "It's not as complicated as The Crystal Maze. Now that is one complicated bastard."

The Crystal Maze was spoofed in an episode of top kids comedy Maid Marian and Her Merry Men. You can read the transcript and look at some pictures here.

The producers didn't have any money to pay Richard O'Brien for hosting the pilot show, so instead he asked for some very nice sandwiches for lunch.

At least twice, episodes were dedicated to contestants who had since died. In 1991, one episode was dedicated to contestant David MacPherson who died in a motorcycle accident, he was better known as Mac in the show as two of his team mates were also called David. They were called David, Dave and Mac respectively. In 1995, the final episode showed a dedication to contestant Jim Alexander who had died. This was only shown once when it was on Channel 4.

Since the original series ended, Ed Tudor-Pole reprised his role as maze master in a 2009 edition of The Gadget Show with a Crystal Maze themed challenge set in a real castle. Richard O'Brien appeared as the computer in the 2016 Crystal Maze special.

Channel 4 very cheekily tried to pass off the last three episodes from the first series of the 2017 revival as a "new series" on E4 from November 2020, just before the second half of series 3 on Channel 4. They might very well have got away with it, had Richard Ayoade not begun one show by saying "I'm nearly 40" despite being 43 at the time of broadcast.

Merchandise

The Best of The Crystal Maze (VHS)

The Crystal Maze Puzzle Book

Puzzle book by Peter Arnold, Gill Brown

Web links

Channel 4 programme page

Wikipedia entry

The Crystal Maze - book your game here.

Chatsworth TV's site from 2006, via archive.org

Marc Gerrish's site with descriptions of all the games and masses of statistics.

Crystal Maze fan site - superb site by a German student that contains details of every game and show! (Via archive.org)

Crystal Maze Database covers the 2010s revival.

Pictures

The host holding a time crystal, outside one of the Industrial zone rooms. The TV monitors were used by the teams to direct their team mates during the games.

The host holding a crystal.

Richard O'Brien in one of the corridors connecting the game rooms in the Futuristic zone.

Richard O'Brien in the main hall of the Medieval zone.

The Crystal Maze production team

Videos

There are also two outtakes compilations, featuring commentary (and some strong language) from the director's box. "Where do we get them?"

See also

Weaver's Week went round the London reconstruction in 2016, and reviewed the Channel 4 series in 2017.

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